Timmy Reed

Author of
  • Kill Me Now
    Counterpoint, January 2018

Timmy Reed is a writer, teacher, and native of Baltimore, Maryland. He received his BA from College of Charleston, where he worked for the Crazyhorse literary journal, and his MFA from University of Baltimore. Timmy is the author of the books Tell God I Don’t Exist, The Ghosts That Surrounded Them, Miraculous Fauna, Star Backwards, and IRL as well as a couple of chapbooks: Stray/Pest and Zeb And Bunny Build Russian Dolls. His short fiction has appeared in many places including Necessary Fiction, Atticus Review, Curbside Splendor, as well as featured in the Wigleaf Top 50 on multiple occasions. In 2015, he won the Baker Artist Awards Semmes G. Walsh Award. He teaches English at Stevenson University and Community College of Baltimore County and English as a Second Language at Morgan State University.

Books by Timmy

Kill Me Now

Miles Lover is an imaginative but insecure adolescent skateboarder with an unfortunate nickname, about to face his first semester of high school in the fall. In KILL ME NOW, Miles exists in a liminal space – between junior high and high school, and between three houses: his mother’s, his father’s, and the now vacant house his family used to call home in a leafy, green neighborhood of north Baltimore. Miles struggles against his parents, his younger identical twin sisters, his probation officer, his old friends, his summer reading list, and his personal essay assignment (having to keep a journal). More than anything, though, he wrestles with himself and the fears that come with growing up.

It’s not until Miles beings a mutually beneficial friendship with a new elderly neighbor – whom his sisters spy on and suspect of murder – that he begins to find some understanding of lives different than his own, of the plain acceptance of true friends, and, maybe, just a little of himself in time to start a whole new year. When you’re green, you grow, he learns. But when you’re ripe, you rot.

With tenderness and tenacity, Timmy Reed’s prose – written in a confessional tone via MIles’s journal – captures the anguish and grit of adolescence, and the potential of growing up.

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